If you wander up Akersgata and turn left into St Olav's Gata, just opposite the Decorative Arts Museum look up and you will see this glum little giraffe scurrying its way across the wall. Small tip if you are visiting any of the museums here, always have a 1 krone or 10 krone coin in your wallet as you will always be asked to put your bags in a locker before you go walkabout in the museum. Museums are free for everyone on a Sunday.
Monday, 24 September 2012
Sunday, 16 September 2012
Old Town Norfolk Clothing - Beryl
Just had a look at Old Town and see they have added utility coat 'Beryl' to their no nonsense, pragmatic but utterly charming clothing range...
Photo Credit: Old Town
Photo Credit: Old Town
John Vogl - Andrew Bird Concert Poster
And here is said poster bought today from John Vogl commissioned by Andrew Bird...think I've banged on about Andrew Bird before in a previous post. He's rather good, you know.
A Renegade Art Fair Morning and A Lawless Afternoon
We dropped into the Renegade Craft Fair this morning on our way to Rough Trade in Shoreditch and I had intended to go for a walkabout to look for just a hair slide but got talking to Denver-based illustrator and designer John Vogl and bought an Andrew Bird screen print from him. John's work is beautiful; lovely colour palette and considered typography. A purchase of a Popul Vuh CD and a pair of heavy black 1960s glasses frames later from various establishments, it was back to Greenwich to see Lawless (screen play by Nick Cave - watch out for him as a corpse in the car at the very start of the film). Fabulous Guy Pearce plays one of his vilest characters to date superbly. Though I admit to spending moments glancing away from the screen when the brutal beatings were being dished out.
Wednesday, 12 September 2012
Berberian Sound Studio
I fell in love today and that kind of thing doesn't happen easily. It was with the film 'Berberian Sound Studio' by Peter Strickland. Just me and two rather shaky on their pins oldies (must be a pair of original 70s Dario Argento fans) hunkered down in the Basement Studio Room of the Greenwich Picture House for a Noon screening today. If you haven't seen the film, do make an effort to seek it out as this is a gem of a film. A respected English sound engineer flown in from the pastoral genteelness of the Surrey countryside to work in a volatile and claustrophobic sound studio along side sleazy Italian directors, a cast of badly treated voice-over artists, a curmudgeonly Italian sound-engineer and a devilishly uncooperative administrator to work on an Argento style film. (For those not initiated in the world of Argento, this equals a lot of ear piercing screaming and supernaturally-based erotica). And a lot of attention is given in getting just the right calibre of scream. Added to which vocals from Trish Keenan (Broadcast) are used added by James Cargill. I stayed in my seat as the credits rolled by; a fitting tribute to the much missed Trish Keenan and, unexpectedly, 'screams' by Suzy Kendall were credited (Ms Kendall played the lead role in 'Up the Junction' and was married for a while to Dudley Moore - his 'Song for Suzy' was written for her).
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